Form in the New Music
Identifieur interne : 000322 ( Main/Exploration ); précédent : 000321; suivant : 000323Form in the New Music
Auteurs : Theodor W. AdornoSource :
- Music Analysis [ 0262-5245 ] ; 2008-07.
English descriptors
- Teeft :
- Action painting, Adorno, Aesthetic concept, Aesthetic theory, Autonomous form, Blackwell, Blackwell publishing, Compositional elements, Constant elements, Dieter schnebel, Different dimensions, Double canon, Fourth quartet, Human subject, Ideal type, Imaginative sense, Individual work, Integral form, Journal compilation, Karl heinz haag, Large forms, Last works, Linear progression, Livingstone, Music analysis, Musical form, Musical process, Nodal points, Objectivity, Other dimensions, Other parameters, Other words, Recapitulation, Rodney, Rodney livingstone, Same time, Schoenberg, Second viennese school, Short forms, Such forms, Surrealist movement, Theodor, Thorough bass, Tonality, Totality, Traditional forms, Traditional scheme, Viennese, Viennese classicism, Violin concerto.
Abstract
Translated by Rodney Livingstone
Url:
DOI: 10.1111/j.1468-2249.2009.00280.x
Affiliations:
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Le document en format XML
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